23 February 2016

Stitched Words - by the (several) dozen

So here is the information on my pieces made for TheMaterial Girls project with The National Trust property, Rainham Hall.
Each of The Girls were asked to produce three pieces of work, all based/inspired by the first occupant of the hall, John Harle, so our researched centred on the first half of the 1700s.
A whole variety of themes sprung up, from costume to trade, people to decor, gardens to my choice, documents/writings.

So here is the last piece I made, but I'm showing it to you first.... 
you won't find it on display within The Material Girls 'A Studio in Action' - this is because its on display in the Hall itself.
So my last piece, what can I make..... mhmmm. Then suddenly it occurred to me, I know I will stitch out the Will of John Harle.  The original exists, I have a transcript.  So following on from previous technique used, I machine stitched it in one continuous piece.  At a rough measure its 20m long!!!  It was only when presenting all our work to the National Trust, to give them an idea of everything, that they asked for it to go on display in the Hall, in the same room as the original Will on display.  I certainly never made with that intention.

The first piece looked at letters, how paper was folded, the salutations and signatories.  I found letters which are extraordinarily polite and yet highly insulting at the same time, formal business letters and family exchanges.  These were machined on strips of paper.  The opening and closing format hand stitched on paper which was folded to become its own envelope.  With a nod to wax seals, these were dipped in wax.

The second piece I decided to make an 'Essex Girl Will' - a tongue firmly in cheek joke.  A parody which nods back to the letters which raise such a smile to our modern reading.
Thinking of letters being opened and refolded, potential cracks or holes which might appear, informed the construction, this time, the whole piece is dipped in wax.  You will have to visit 'A Studio in Action' and look in my notebook to read the transcript, words all of my own making.

I challenged myself in all sorts of ways with this work, and am very satisfied with my efforts.  20m long..... OK less than 2cm wide, but the 'biggest' piece of work I've ever done.  Mhmmm wonder if it will be like bookbinding, where I keep making successively longer books. 

A Studio in Action continues to be available from
Wed 24th - Sun 28th Feb. 11am-3pm
In the Hall itself you will find my piece and also one from Miriam.
Please connect to The Materials Girls Facebook page
and/or Instagram to see more images


20 February 2016

A Studio in Action

The Material Girls latest Exhibition.  Actually the work has been ready for months, however the allocated space still isn't, and so Plan B was put into action, and we have arranged a display to not only show the work, but also give background to the creative practice.
There are other photos on The Materials Girls, website, blog and facebook pages, and also we have a new Instagram account.  Please visit, Like, Share, and do return as more images are added.

Here's a selection of over views from my day stewarding, to give you an idea.  Details of my pieces will follow on another posting.

Open 11am-3pm until Sunday 28th February
FREE - closed Monday and Tuesday










07 February 2016

I need more alcohol!!

I'm all muddled headed - too many things going on, not least home life is topsy turvy, been a lot of yes/no/may be for weeks.  The yes bit is done and finished, but there is still a may be hovering around.

Its made it hard for me to make art, because I don't have any head space, and then when I do find it, I end up not doing what I should, I think for fear of getting that wrong, or that its too simplistic and I'm not challenging myself and developing as I intend.

So this is one of the side track things I played at.


I love it - its alcohol inks, a stencil and glossy photo paper.  Saw the technique on one of the Facebook groups I belong to, but ended up with, well I don't have that, or that, but let's give it a go.  There are only two colours in this, and it worked better that way.  Course in my haste forget to wear gloves, not that I'm keen on doing so, and ended up with gross black edgings to my nails.

The Material Girls have exciting time ahead, and I will tell you more after our meeting this week, but the work we've made for Rainham Hall, at long last can be seen - mhmm must get it out and check its all OK. - see the poster info below

When you actually see my pieces for The Materials Girls, and if you recall my previous work for Tales & Textiles - you might well understand the current splash of colour!  As we used to say as kids - I've gone a bit leery!!


27 January 2016

Paint Play and Computer Twiddles!!

Somewhat unexpectedly I find myself at home today instead of usual stitchy engagement. Car park being revamped and all the side streets full, so my companion and I decided, not walking miles, let's go home.  It cost me money though... on way home I decided to call in to the paper arts store, and bought some of these.


Yes I do have a bag of cosmetic sponges, but they soon disintegrate, plus I like the look of the tiny sharp point, so will give them a try.

I've been playing with paints... had the Gelli Plate® out for a play.  Ended up with about 20 prints of varying success.


I played with this one on the computer, mixing it up with a photo, and then mixing that result with another photo... it turned into this:


I may do things with this.... I do have specialist papers for an inkjet printer.


This piece is a different kind of computer play.  This is having stitch added to it, and if you are familiar with my art Facebook page you will see it in the heading. It is actually this:


I do really enjoy the non directed arty play, as in, just see what happens.  It may well also feed into an idea for a piece which is very specific.  Big challenge when the creative leanings are abstract, to make something which needs to be recognisable, but still retain the essence of what makes me tick.  I do abstract purely because its me, its what's in my head and flows out the fingers.... as a young child I would sit and cry in art lessons because I couldn't draw a tree or a butterfly.  These days I realise, much as I love beautiful artwork which is realistic, to actually do it, simply isn't me.

Got more ideas to play with, so think the paints will be coming out again today.